Plats de Resistance
mets indélicats pour fins gourmets et oenologs avertis
I'm thinking of taking down my shares on donkey network from now on, reason why i uploaded all those fine crisps to mediafire so you can get them with direct download ... enj-oï!
(Back on SoulSeek as fergots now)
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J'arrête mes partages via eMule dorénavant, j'ai donc uploadé les galettes sur mediafire afin qu'elles vous soient disponibles en téléchargement direct... bondla!(De retour sur SoulSeek en tant que fergots)
Hot plates served cold
Oh yes mama, those might be oldies but they sure are goodies for what i know, so help yourself if you missed lunchtime, thank the cook later...
De vieux plats servis froids mais si vous avez loupé l'heure du déjeuner, c'est un régal je vous le garantis, remerciez le cuistot plus tard...
Crapulence - Crapulence
Recorded by C. Slaughter June 2006 at Slaughterhaus,
Mastered by M. Silaski, Art by Jason, Photo by Assacre.
All songs Crapulence 2006. Austin, TX.
Support the worthy bands, buy their records when they're avalaible!
01 - Bonghits & Videogames
02 - What Were They Thinking?
03 - BrownTown
04 - Jazznipple Odyssey Mark VII
05 - Bi-Polar Express
06 - Escape From Ramonia, Pain
07 - Jolly-Non-Stop-A-Go-Go-A-Thon
08 - Ragtrap
09 - Bigmacjustchooseit
10 - Melting Brain
11 - Controllers, Destroyers
12 - A Clockwerk Hateflag (not included)
13 - Neil Dynamics (not included)
Crapulence:
(sources: American heritage, medical dictionary, roger's thesaurus )
Crap-u-lence (krap-yoo-lens) n. 1. Sickness caused by excessive eating or drinking. 2. Excessive indulgence; intemperance.
[From crapulent, sick from gluttony, from Late Latin crpulentus, very drunk, from Latin crpula, intoxication, from Greek kraipal.] Noun
1. crapulence - the act of drinking alcoholic beverages to excess; "drink was his downfall" boozing, drink, drinking, drunkenness intemperateness, intemperance - consumption of alcoholic drinks drinking bout - a long period of drinking.
A selection of the utter drivel that has spewed forth from drunken friends.
Crapulence is an almost exact synonym for a hangover.
See also: Crapulent. NOUN: The condition of being intoxicated with alcoholic liquor: drunkenness, inebriation, inebriety, insobriety, intoxication, tipsiness. See DRUGS.
Band members:
~Dylan - The Drums, The Electric Bass, The Background Vocals
~Jason - The Electric Bass, The Vocals, The 'Thereguin' Theremin, The Realistic MOOG MG-1, The Kaoss Pads...
~Sean - The Electric Guitars, The Drums, The Electric Bass, The Vocals
Similar artists: Crapulence! and some of the bands they used to be in -
Saturn's Flea Collar, Myra Manes, Tabitha, Assnipple, Rear Admirals, Squat Thrust, the Fuckemos, etc.
Celebrating the release of their branuh album entitled "Don't Ever Change" here's a chance offered to the impious to get enlightened for good by listening to this brilliant psalm one. Repent. Now.
Enjoy and go crapulent, not bananas: support the band!!!
Mind the two last tracks are missing here, just so you can prove your devotion to music and awesomeness by donating to the cause! (click on the logo. Do it. Now!)
Crapule :
Du latin crapula (ivresse) venant du grec κραιπαλη (lourdeur de tête produite par l'ivresse, d'où ivresse, ivrognerie). Débauche habituelle et grossière.
Vivre dans la crapule, tomber dans la crapule. (Par extension) Personne abjecte qui a des sentiments bas et est capable des pires actions.
+++++++++++++++++++++++++++++++++++++++++++++++++++
Habitués du bloug, vous adulez déjà les incontournables Victims Family, Saturn's Flea Collar, Hellworms, Assnipple, Triclops! ainsi que les divinement inspirés Megakronkel, Jam Jar, Bep, Beuatifuls... quoi de plus normal en somme devant de telles sommités sonores et trébuchores du Jazzcore, d'accord.
Nous, c'est le goût?
N'hésitez-plus et gobez sans plus attendre cette délicieuse galette truffée de fèves, vous serez conquis et empreints d'une gratitude non-feinte...
Cliquez sur le logo pour ajouter votre denier au culte et recevoir la bénédiction crapulesque qu'il vous est due, et ce en sons soniques assurément! Deuxième psaume intitulé "Don't Ever Change" dispo depuis peu à la même adresse, d'où cet opus en dégustation gratuite chez deATh bÜrGeR! Youpi.
(2 morceaux de "don't Ever Change" uploadés dans le Jukebox...)
EAC extracted, 224~320kbs VBR Mp3 encoded.
eD2k: Crapulence.st(2006.VBR) [66.16 Mb]
Direct: Link
Bep - 1st single Ep
1992, GAP recordings, Amsterdam ND.
01. Definite Devon
02. Bernt's 'Bronstige Bossanova
03. Irreversible
Do you hear that sound? That scratching sound?
Oops, think i've heard this before... but watch this guys & gals:
I might be lazy these days but since i got this pretty rare single Ep graciously sent to me by this cool dude en Amsterdam-named Evert (evil-ish!) and love it, i think it's about time to share it with the whole starving world... so here you go!
Extracted from vinyl to wav with dbAudioInput through Pioneer PL-200 turntable and SA-508 amplifier. Wavs processed with EAC, tracks encoded to 224~320kbps VBR Mp3 with dbMusicConverter. Pure killer-sound and scans made with love too, what did you expect?! My pleasure.
This while waiting Dog to send that "moodswing" album of theirs back on earth so we at last can feel the grace in its entirety. Da full blessing, meh.
About the cover: The woman on the frontcover is Everts mama, aptly called Bep!Evert is the kid with the swan. The beach is at Le Havre France in 1968 or thereabout (check the Citroen).
(extract from full bio in "Gems" album post):
Guitarist Paul van Dijl and singer/bassplayer Evert Molewijk played together in a jazzcorepunk band called Pubic Hairdo (who didn’t release any material although some of the Pubicsongs, or parts of them, were used on songs of the ‘Gems’-c.d.).
After the break-up they teamed up with Bernt Nellen, a very talented jazz drummer from Germany, to form a band called combining the first letters of their names, BEP.
Within weeks of BEP’s existence (1992) they were asked to tour with the Rhythm Pigs.
They had to release some material too so they rushreleased a single containing 3 songs: 'Definite Devon', 'Irreversible' and Bernt’s 'Bronstige Bossanova' (the first 2 songs were rerecorded for ‘Gems’ and the 3rd is an instrumental that sounds a lot like a Victims Family rip-off).
The single was recorded on 8-track in a rented rehearsalspace and produced by Tijs Keverkamp.
It was released on GAP-recordings, a sublabel to Konkurrel. The actual B-side ‘Irreversible’ was played quite a few times on Dutch radio, VPRO mainly.
After they toured with The Rhythm Pigs, visiting Germany, Poland, Spain and Belgium, they were asked by Konkurrel to record a full length album which turned out to be ‘Gems’.
[...] In this first period they were heavily influenced by Nomeansno, Victims Family and the likes but Paul was also into much slower stuff like Obsessed or metal like Prong which comes out in songs like ‘Lovechild’ and the very slow ‘Trapped’. They sure liked the difficult stuff but always tried to let the song be more important.[...]
Okay people, forget about those nasty black eyed peas and get the real smokey shit for once, straight from Amsterdam Holland... with love!
Take a deep breath, enjoy the hits full speed ahead!
Check out db's channel on youtube to view two cool Bep video clips!
eD2k: Bep.1st.single(1992.VBR)by.stogref.rar [16.32 Mb]
Direct: Link
Ramones - Acid Eaters
Chrysalis Records 1993
1 "Journey to the Center of the Mind" 2:52
2 "Substitute" 3:15
3 "Out of Time" 2:41
4 "The Shape of Things to Come" 1:46
5 "Somebody to Love" 2:31
6 "When I Was Young" 3:16
7 "7 and 7 Is" 1:50
8 "My Back Pages" 2:27
9 "Can't Seem to Make You Mine" 2:42
10 "Have You Ever Seen the Rain?" 2:22
11 "I Can't Control Myself" 2:55
12 "Surf City" 2:26
One of the lesser-known albums from Joey and the lads this was originally released in 1993, around the time that all the grunge bands like Nirvana, Soundgarden etc.. Were raving about how much they were influenced by The Ramones. It's an album of 60's cover versions done in true Ramones style.
I don't have a bad word to say about this for i love most of the originals of these songs anyway, and I really love The Ramones.
They best moments for me are "7 & 7 Is" originally by Alice Cooper, "Out of time" by The Stones, and "Somebody to Love" by Jefferson Airplane.
If you're a Ramones fan and you don't own this already, get a copy.
If you don't have any Ramones albums in your collection, get any of these live albums, you can't go wrong.
224~320kbps VBR Mp33 encoded alright!
Not sharing those on eD2k network anymore, direct linkoz only!
Direct: Link
Ramones - It's Alive!
2 Live lps. Sire records 1978
Legendary first double live album, re-edited on cd with full-on energy as expected, 28 killing tracks! (see backcover below)
MPC~278kbps encoded alright!
Direct: Link
Ramones - Loco Live
Chrysalis records 1991
33 tracks recorded in Barcelona when coming to Spain, a powerful tour and a huge sound, but judge by yourself! (tracks below)
MPC~278kbps encoded damnit!
Direct: Link
Ramones - We're Outta Here!
Last Concert. Radioactive records 1997
01. Durango 95 [1:26]
02. Teenage Lobotomy [1:30]
03. Psycho Therapy [2:10]
04. Blitzkrieg Bop [1:35]
05. Do You Remember Rock And Roll Radio [2:59]
06. I Believe In Miracles [2:41]
07. Gimme Gimme Shock Treatment [1:16]
08. Rock 'N' Roll High School [1:49]
09. I Wanna Be Sedated [2:03]
10. Spider-Man [2:11]
11. The K.k.k Took My Baby Away [2:11]
12. I Just Want To Have Something To Do [2:08]
13. Commando [1:20]
14. Sheena Is A Punkrocker [1:45]
15. Rockaway Beach [2:11]
16. Pet Sematary [3:01]
17. The Crusher [2:08]
18. Love Kills [1:58]
19. Do You Wanna Dance [1:28]
20. Someone Put Something In My Drink [2:31]
21. I Don't Want You [2:00]
22. Wart Hog [1:33]
23. Cretin Hop [1:22]
24. R.A.M.O.N.E.S [1:17]
25. Today Your Love, Tomorrow The World [1:40]
26. Pinhead [2:57]
27. 53RD & 3RD [1:56]
28. Listen To Your Heart [1:18]
29. We're A Happy Family [1:58]
30. Chinese Rock [2:31]
31. Beat On The Brat [2:16]
32. Any Way You Want It [3:12]
Last concert of americans punk veterans who opened the way for numerous bands without ever meeting with expected success.
Their 2263th show, nuff' less, but mind no Dee Dee here!
Too bad Joey, Dee-Dee and Johnny left us since then... but we still have the records as a testimony of their talent as a soundwall!
MPC~278kbps encoded again! (get foobar player instead of whining!)
Direct: Link
Dos - Justamente Tres
Kill Rock Stars records 1996
1 Down In The Dumps 2:49
2 Dream Of San Pedro 2:49
3 Imagine That 2:32
4 Intense Song For Madonna 1:38
5 'Til The Blood Ran 3:01
6 Sidemouse Advice 2:38
7 Excerpts From A Captain's Log 3:53
8 To Each His Dulcinea 1:42
9 Powerful Hankerin' 2:47
10 Little Doll 1:37
11 Willow Weep For Me 2:26
12 Even The Pain Has Changed 2:11
13 Formal Introduction 1:36
14 Angel Face Is The Devil's Daughter 4:26
15 Number Seven 1:18
16 Do You Want New Wave Or Do You Want The Truth? 1:57
17 Number Five 3:28
Review by Kurt Morris:
Justamente Tres is a seventeen song doodling by two of the well-known bass players of punk rock past: Kira Roessler (Black Flag) and Mike Watt (Minutemen, fIREHOSE). Roessler handles the occasional vocal work and comes off sounding like a more modern blues singer akin to Billie Holiday or Ella Fitzgerald but obviously not nearly as good.
Songs like "'Til The Blood Ran" might make one believe that there are electronics utilized on the album, but the whole thing is just bass and vocals, Roessler and Watt in their tripped out, laid-back selves, about as far from their respective beginnings as one can get and be faintly recognizable.
While some of the tunes can be tedious and at seventeen songs it might be a tad too long, real enthusiasts of Watt and Roessler's work as well as fans of instrumental, jazzy bass work will get a kick out of this.
EAC extracted. Batch MPC~278kbs BrainDead encoded.
eD2k: Dos.Justamente.Tres [81.12 Mb]
Direct: Link
Their 2 first albums "Dos" + "Numero Dos" make "Uno Con Dos" (1986-89) can be found on Donut Duck BLOG encoded at 192kbps, so help yourself!
Camper Van Beethoven - Telephone Free Landslide Victory
IRS records 1985
Members: Chris Molla, Chris Pedersen, David Lowery, Greg Lisher, Jonathan Segel, Victor Krummenacher
Tracks:
# Border Ska
# The Day That Lassie Went to the Moon
# Wasted
# Yanqui Go Home
# Oh No!
# 9 of Disks
# Payed Vacation: Greece
# Where the Hell is Bill?
# Vladivostock
# Skinhead Stomp
# Tina
# Take the Skinheads Bowling
# Mao Reminisces About His Days in Southern China
# I Don't See You
# Balalaika Gap
# Opi Rides Again - Club Med Sucks
# Ambiguity Song
BIO by Denise Sullivan:
At the time of their 1985 debut, Camper Van Beethoven's merging of punk, folk, ska, and world musics was truly a revelation. Self-described as "surrealist absurdist folk," the band formed in Santa Cruz, CA, after singer/songwriter David Lowery of Redlands, CA, with his dry humor and valley-boy voice (sometimes confused for a faux English accent), and boyhood friends Chris Molla and Chris Pedersen disbanded Box o' Laffs. Victor Krummenacher was added on bass and soon they were joined by Greg Lisher (guitar) and Jonathan Segel (violins, keyboards, mandolin). It was Segel's violin that would prove to be the band's hallmark at a time when alternative rock had yet to be invented, and indie rock was still shy of roots music or traditional elements.
The 1985 re-release of their debut, Telephone Free Landslide Victory, made the Top Ten in the 1986 Village Voice Pazz and Jop Poll.
Review by Ned Raggett:
They say "never say never," but it's still extremely unlikely something so goofily low-key, inventive, and fun will ever achieve cult status so quickly again, especially in terms of musical range on display.
Not simply a rock group but not anything else, Camper Van Beethoven pulled off a series of entertaining fusions throughout its debut record, as the opening song "Border Ska" indicates by name alone.
Eastern European folk, tropical grooves, post-punk atmospherics, country laid-back good times, psych/garage band aesthetics, lyrics about Mao, Greece, and more -- a lot of stuff went into the Santa Cruz band's brew, and most of it came up trumps on Telephone.
Lowery's lead vocals aren't much like what his more famous work in Cracker would indicate, being more speak-singing through shaggy dog stories (even one about Lassie) of all stripes.
Hearing his tale of woe on "Wasted" -- "I was a punker, and I had a Mohawk/I was so gnarly and I drove my dad's car" -- delivered in a "yeah dude" tone of voice is pretty darn funny. Segel's keyboards and violins color the arrangements with a fun touch, while rhythm team Krummenacher and then recently departed drummer Anthony Guess try out nearly everything at least once.
The production is eminently suited for the proceedings, sounding a bit like the thick, fuzzy flow of many Shimmy-Disc releases but with just enough of a crisp edge.
When it comes to humor, it's everywhere -- for instance, the plaintively sung chorus of "Where the Hell Is Bill?," not to mention the various speculative answers ("Maybe he went to get a Vespa scooter").
Or, of course, the song that kick-started the band's reputation, "Take the Skinheads Bowling," two and a half minutes of chiming, goofy nonsense with references to Jah and incomplete rhymes.
EAC extracted and MPC~278kbs at BrainDead level encoded...
eD2k: Camper.Van.Beethoven.Telephone.Free.Landslide.Victory [75.09Mb]
Direct: Link
Camper Van Beethoven - Camper Van Beethoven
IRS records 1986
Members: Chris Molla, Chris Pedersen, David Lowery, Eugene Chadbourne, Greg Lisher, Jonathan Segel, Victor Krummenacher
Tracks:
1. Good Guys & Bad Guys
2. Joe Stalin's Cadillac
3. Five Sticks
4. Lulu Land
5. Une Fois
6. We Saw Jerry's Daughter
7. Surprise Truck
8. Stairway to Heavan (sic)
9. The History of Utah
10. Still Wishing to Course
11. We Love You
12. Hoe Yourself Down
13. Peace & Love
14. Folly
15. Interstellar Overdrive
16. Shut Us Down
Review by Ned Raggett:
CVB's self-titled third album generally differs little from II & III, continuing the blend of wistfully weird lyrics, any number of musical touches from all over the map and good-time vibes.
The opening "Good Guys & Bad Guys" proves that much, with reggae, folk, country and more stewed together as Lowery plaintively sings about lawyers and the people in Russia and the like.
From there on in it's another collection of generally short and generally fun ditties, but with a few more tweaks here and there. The bandmembers definitely have more fun with the studio this time out, thus a lot of tape manipulation and semi-psychedelic oddities sprinkled around the album.
Something of a Led Zeppelin fascination seems to crop up throughout, perhaps not too surprising considering that band's similar fondness for many musical influences and Jimmy Page's more acoustic numbers.
Lowery drawls "Has anyone seen the bridge?" on "Joe Stalin's Cadillac," the following song is "Five Sticks," while later on in the album one gets "Stairway to Heavan (sic)," most definitely not a remake of the referenced song in question. Not to say there aren't reinterpretations here: an obscure sixties track, "Lulu Land," lets CVB fool around with a bit of twinkly jauntiness, while early Pink Floyd gets the band treatment with an impressive, strong version of "Interstellar Overdrive."
Then there's the catchy pop salute to a certain Mr. Garcia of the Grateful Dead, "We Saw Jerry's Daughter," the sitars and kicks on "Still Wishing to Course," the concluding 90-second long "Shut Us Down" and more to fill out this album's corners well.
EAC extracted and MPC~278kbs at BrainDead level encoded... isn't life a blast?
eD2k: Camper.Van.Beethoven.C.V.B. [82.86 Mb]
Direct: Link
